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	<title>helpmechris.com &#187; Guitar Lessons</title>
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		<title>Killer Chord Article: 3/7 Voicings</title>
		<link>http://www.helpmechris.com/2007/08/26/killer-chord-article-37-voicings/</link>
		<comments>http://www.helpmechris.com/2007/08/26/killer-chord-article-37-voicings/#comments</comments>
		<pubDate>Sun, 26 Aug 2007 09:18:11 +0000</pubDate>
		<dc:creator>Chris Brown</dc:creator>
				<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.helpmechris.com/2007/08/26/killer-chord-article-37-voicings/</guid>
		<description><![CDATA[Great comping article&#8230;. love it! Marc Sabatella&#8217;s Jazz Improvisation Primer: 3/7 Voicings]]></description>
			<content:encoded><![CDATA[<p>Great comping article&#8230;. love it!</p>
<p><a href="http://www.outsideshore.com/primer/primer/ms-primer-6-1-1-1.html">Marc Sabatella&#8217;s Jazz Improvisation Primer: 3/7 Voicings</a></p>
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		<title>For the Stage: 3 note Blues or Jazz 7th Chord Voicings Worth Using</title>
		<link>http://www.helpmechris.com/2006/11/27/for-the-stage-3-note-blues-or-jazz-7th-chord-voicings-worth-using/</link>
		<comments>http://www.helpmechris.com/2006/11/27/for-the-stage-3-note-blues-or-jazz-7th-chord-voicings-worth-using/#comments</comments>
		<pubDate>Mon, 27 Nov 2006 18:27:12 +0000</pubDate>
		<dc:creator>Chris Brown</dc:creator>
				<category><![CDATA[For the Stage]]></category>
		<category><![CDATA[Guitar Lessons]]></category>

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		<description><![CDATA[When I&#8217;m on stage with BoneDriven or at the jazz gig I like to play tight little chords that leave a little bit of extra space in the sound&#8230; Some of the time I achieve this sound by leaving out the root. I&#8217;ll use standard 7th chords and alterations that I play a lot when [...]]]></description>
			<content:encoded><![CDATA[<p>When I&#8217;m on stage with BoneDriven or at the jazz gig I like to play tight little chords that leave a little bit of extra space in the sound&#8230;</p>
<p>Some of the time I achieve this sound by leaving out the root. I&#8217;ll use standard 7th chords and alterations that I play a lot when we do blues stuff as an example&#8230;</p>
<p><span id="more-5"></span></p>
<p><img src="http://helpmechris.com/images/lessonimages/blues-3note-voicings.jpg" /></p>
<p>Here&#8217;s an example progression&#8230; try it out&#8230;</p>
<p>G7 / / / G13 / / / G9 / / / G13 / G7+5 /</p>
<p>C9 / / / C7 / / / G7 / / / G9 / / /</p>
<p>D7 / / / C13 / / / G7 / / / D7+5 / / /</p>
<p>For the D7 and D7+5 chords I would use the same shape as I do for the C chords (in most cases)</p>
<p>I like to use the augmented chords (7+5 &#8211; said seven sharp five or just augmented) to get some cool movement from the one to the four of the progression and also for the 5th on the turnaround</p>
<p>I also like to use a 3625 turnaround but not in this lesson.</p>
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